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Prisoner and Creator: The Self-Image of the Poet in Han Yu and Meng Jiao. Chinese Literature: EssaysArticlesReviews (CLEAR). 1994;16:19-40.
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New Bibliography
- TRAVEL CULTURE IN EASTERN JIN CHINA (317–420 AD): THE EMERGENCE OF A TRAVEL CULTURE OF LANDSCAPE APPRECIATION
- Study on Ancient Chinese Ecological Thoughts in Traditional Festivals and Festival Systems
- Ritual Words: Daoist Liturgy and the Confucian Liumen Tradition in Sichuan Province
- Consumption Behaviours of Park Visitors and the Implications for Tourism Marketing: A Case in China
- On the Impacts of Traditional Chinese Culture on Organ Donation
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- Bibliography: TRAVEL CULTURE IN EASTERN JIN CHINA (317–420 AD): THE EMERGENCE OF A TRAVEL CULTURE OF LANDSCAPE APPRECIATION
- Photo: #Tao #Taoism #Daoism #peace
- Photo: Daoist Temple, Wuyishan, Jiangxi
- Photo: KNOWING FISH PAVILION: This Pavillion is named after a Daoist tale that refers to fish as the perfect example of its philosophy, because they live life without conscious thought, simply behaving as nature dictates. The vertical panels here read; “The clea
- Photo: Daoist wall painting "Homage to the Highest Power" (west wall) Coloured pigments; clay; plaster Centimetres: 306.5 (height), 1042 (length) 1271-1368 AD Late Empire I; Yuan Dynasty; late 13th to early 14th century AD Area of Origin: China Purchased from Ya